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Curriculum Vitae
Education
| 1980—1983 | The Sweelinck Conservatory, Amsterdam, Netherlands • Studying oboe |
| 1982 | Sound Seminar Renee van Broekhoven, Rotterdam, Netherlands • Recording, editing & producing |
| 1985—1986 | Royal Conservatory, The Hague, Netherlands • Studying sonology |
Occupations
| 2011 | De Nieuw Amsterdam (DNA), Amsterdam, Netherlands Compositions and tape for the performance of: • Monsieur Ibrahim and the Flowers of the Koran (Eric-Emmanuel Schmitt), director Erik Vos |
| 2011 | Netherlands, several locations Several I.T.-jobs: trouble shooting and software and hardware maintenance |
| 2010 | Glendale, LA, California, USA Promotional stay during wintertime |
| 2009 | Nationale Toneel, The Hague, Netherlands Compositions and tape for the performance of: • The Cherry Orchard (Chekhov), director Erik Vos |
| 2009 | State of the Art Gallery Ithaca, New York City, USA Score for the video of: • “There and Back” by Alicia Felberbaum |
| 2007 | Marius van Beek Foundation, Scheveningen, Netherlands Sound editing for the movie “Goal of Santiago”, being shown in the Museum “Beelden aan Zee”. |
| 2006 | Nationale Toneel, The Hague, Netherlands Compositions and tape for the performance of: • Maria Stuart (F. Schiller), director Erik Vos |
| 2004 | Nationale Toneel, The Hague, Netherlands Compositions and tape for the performance of: • Afterplay (Brian Friel) & embedded movie by Frans Weisz, director Erik Vos |
| 2002—2003 | Appeltheater, The Hague, Netherlands Compositions and tape for the performance of: • Tantalus — based on the Greek Iliad, a sixteen hour show (John Barton), director Aus Greidanus; more information: www.toneelgroepdeappel.nl |
| 2002—2003 | Appeltheater, The Hague, Netherlands Compositions and tape for the performance of: • Roberto Zucco (Bernard-Marie Koltes), director Erik Vos |
| 1999—2000 | Vedute Art Foundation, Amsterdam, Netherlands • Design and building of the Phenomenological Transformer, a soundsculpture or 3D-manuscript, presented in Fall 2000 (New York City, Aronsons Galleries, 66 Fifth Avenue) |
| 1999 | Concerthall, Haarlem, Netherlands • Video presentation during concerts (e.g. L’enfant et les sortilèges, by M. Ravel), performed by the Noordhollands Philharmonisch Orkest |
| 1997—1998 | Nederlands Dans Theater (N.D.T.), The Hague, Netherlands Compositions used in the dance performance of: • Addio Terra, choreography Erik Vos; premiere Holland Dance Festival |
| 1993—1997 | CD-recordings (Studio M.I.N.D.), Amsterdam, Netherlands, for e.g. the Rajesh Mehta Collective, resulting in the CD Arrows in Time. Music editing for the theatre production of: • Gilles de Rais (Hugo Claus), director Aram Adriaanse (PaardenKathedraal, Utrecht, Netherlands) Compositions, some of them live performed as well, for the modern dancepiece: • Hungered Skin, for two dancers, trumpet, piano and electronics (The Melkweg, Amsterdam, Netherlands) |
| 1988—1991 | Danslab, Amsterdam, Netherlands Compositions for two modern dance-pieces: • One Suggests the Other and Augen-Blicke, choreography Lilian Jansen |
| 1986—1996 | Appeltheater, The Hague, Netherlands Music editing, and compositions used in performances of: • Hamlet, Antony and Cleopatra and As You Like It (Shakespeare); La Trilogia della Villeggiatura (Goldoni); Three Sisters (Chekov), director Erik Vos • Grob und Klein (Botho Strauss), director Aus Greidanus • Don Juan (Max Frisch), directors Aram Adriaanse and Aus Greidanus Music concept and compositions for the performance of: • L’Héritage (Koltès), director Erik Vos |
| 1985—1986 | Improvisation ‘Gazan-project’ for electronics, voice, oboe and bass recorder (‘May-concerts’, Kees van Baarenzaal, Royal Conservatory, The Hague, Netherlands) |
| 1981—1984 | Stagemixes for the Amsterdam rock band Terras Bankok, (truck-driving for the same band to Berlin, Germany, and to Barcelona, Spain) |
